Clue and the Crisis of the American White Male Essay -- Movie Film Ess

tinge and the Crisis of the American White manlike Nothing is more American than the crossover appeal of products in the cumulus media this appeal is what propelled the idea for the 1985 release of the film Clue, based on the Parker Brothers lineup game. Furthermore, in keeping with the games theme, the film appeared in theaters across the country with assorted endings. With an ensemble cast of talented but little known actorsTim Curry, Christopher Lloyd, Lesley Ann Warren, Martin Mull, Madeline Kahn, Eileen Brennan and Michael McKeanClue seemed like a film destined to slip into obscurity. After all, it was a comedy, clever but crass. A deeper analysis of the film provides some sharpness into a running commentary that presents not just a polish off mystery involving several comedic characters, but rather a complex allegorical situation that presents characters as archetypal figures for repressed forces in the dominant American ideology. In reality, Clue is a film about t he crisis of the upper descriptor white male in American culture. In the piece moving picture/Ideology/Criticism, Jean Luc-Comolli and Jean Narboni define the critics job as the gustatory modality of which films, books and magazines allow the ideology a free, unhampered passage, transmit it with crystal clarity, aid as its chosen language and which films attempt to make it turn nates and reflect itself, intercept it, make it visible by revealing its mechanisms, by blocking them (753). Through their examination, seven film categories are outlined. Clue waterfall into the E category, which is defined as films which seem at first mound to belong firmly within the ideology and to be completely on a lower floor its sway, but which turn out to be so only in an ambiguous manner (75... ...itty dialogue. As Wadworth said, it should be no surprise that the FBI (dominant ideology) is onerous to cover up the murder of these repressed forces. The FBI is used to cleaning up after m ultiple murders. Why do you think its run by a man called Hoover? By continually making cheer of the very powers it is supposedly reinforcing, Clue becomes an important film in criticizing American bourgeois ideology.Works CitedGledhill, Christine. Recent Developments in Feminist Film Criticism. Braudy and Cohen, 251-72. Braudy, king of beasts and Marshall Cohen, eds. Film Theory and Criticism Introductory Readings, Fifth Edition. saucy York Oxford UP, 1999. Comolli, Jean-Luc and Jean Narboni, Cinema/Ideology/Criticism. Braudy and Cohen, 752-59.Lynn, Jonathan. Clue. Paramount, 1985.Mulvey, Laura. Visual Pleasure and Narrative Cinema. Braudy and Cohen, 83