Humanitys Fall in John Miltons Paradise Lost :: Milton Paradise Lost Essays

Humanitys Fall in paradise Lost The original sin that led to humanitys fall in the tend of Eden is by far the worst sin committed by humankind. It is this sin that led to future sins. This original sin must be emphasized by writers to depict the evil involved in it. In writing heaven Lost, John Milton recognizes this fact and uses a variety of literary techniques to stress the evil in the story over the good. The techniques used include a series of parallels with the parallel between good and evil existence first and foremost as well, as symmetry to keep the song in balance. Paradise Lost is a poem essentially slightly the origin of sin and evil, as a result, Milton presents evil in a more coercive manner than good. Satan and his followers in Paradise Lost are presented as beingness more evil than deity and his disciples are good. God addresses the Son to be in the likeness of himself in Book three by saying, The radiant image of his glory sat, his barely Son.(Bk . 3, 63-64). Although this implies that the Son is a model of perfection as is God, it does not crystalise it by stating it startright. Milton definitely portrays Satans evil in Book four by asserting that Satan is hell and that evil is his good because good has been missed to him. (Bk. 4, lines 75, 108-110). Satans moral state further decays in Book nine as detailed in a soliloquy at the beginning of the entertain by Satan. Satan recognizes his descent into bestiality after once being in contention with the gods to sit on top of the hierarchy of angels. He is unhappy with this foul descent and in turn wants to take out his grief on humanity. Despite recognizing that revenge eventually becomes bitter, Satan wants to strike others as miserable as he is. It is i n remainder that he finds comfort for his ceaseless thoughts. (Bk. 9, lines 129-130, 163-165). Satan is described at duration in an epic parable that compares his great size to that of mythical figures. This simile drags on for sixteen lines of direct comparison. This comparison to mythical figures makes the reader depend more around the subject therefore invoking more thought about